Komorebi #48

€220,00

Ivory awase hiro eri kimono of the komon type showing ogi decorated with flowers and characters in komon style, over a geometric maroon komon pattern. It has maroon gradient at the bottom and sleeves’ hems. The fabric is habutae, a smooth, glossy silk cloth with a fine weave.

 

FIT

Dress Length: 157 cm | 61.8"

Sleeve Length: 35 cm | 13.8"

Shoulder to Shoulder: 68 cm | 26.8"

 

MATERIAL

Handmande in Japan

Exterior 100% satin silk

Lining 100% synthetic silk

 

HISTORY

Awase is a lined kimono, exclusively worn between October and May (from Autumn to Spring in Japan). In hiro eri, the collar is wide and its inside is not sewn to the body. When put on, the lapel can be folded in two to feature the widht desired and fall naturally toward the erisaki (the bottom of the collar). It is used in many women’s kimonos.

Komon is an informal kimono whose pattern repeats throughout the piece and often incorporates vertical stripes. Originally used as casual clothing, it is nowadays very rare since, with the westernization of clothing in Japan and the disuse of kimonos as a day-to-day wear, tailors have virtually ceased to produce it.

Komon means "fine pattern" and is also a name for patterns made up of tiny details, appearing like a solid color from afar like this one. Edo komon is said to be originated from fine patterns put on the warriors formal dress called kamishimo in the Edo period .The fine patterns were first used in kamishimo in the Muromachi period and were widely used and developed as patterns during 1624-1644 in the Edo period. It is called komon gata or kamishimo komon and each feudal lord monopolized his own pattern denoting his feudal government. In the middle of the Edo period, however, the patterns were loved and widely used by common people and became finer and more diverse.

Ogi (fan) is very important in Japanese culture. Although the foldable fan originated in Japan and was introduced to China in the early tenth century, it was the Chinese technique of placing paper on both sides of the blades, which come together at the base to form a handle, that led to a new Japanese form called suehiro. Apart from their function of creating a breeze, they have become indispensable in exchanging greetings and at ceremonial occasions. They are a versatile design in kimonos - fans can be depicted opened out, layered one over the other to resemble ocean waves, or placed, for example, to resemble butterflies or chrysanthemums; they can also be scattered in various guises to form a pattern or fulfill the role of a canvas in which various designs can be incorporated. In traditional Japanese textile design, fans are associated with the "Seven Gods of Good Luck" and are very auspicious. Because they can be spread out, have come to symbolize development, expansion and prosperity. Also, its small ends represent birth and the blades symbolize the many possible paths leading away from this beginning.

Hanakotoba is the Japanese form of the language of flowers. The Japanese have a long tradition of associating meanings to flowers, and they have influenced numerous aspects of their culture from kimono to war. Flowers such as the sakura (cherry blossom) and kiku (chrysanthemum) are national symbols of Japan. Such flowers have the power to invoke powerful emotions and they are engaged in the people's thinking. Beyond these national symbols, others have more subtle meanings. In Japan, they are a traditional gift for both men and women, and are often used to convey what can't be spoken. Even nowadays, flower meanings make occasional appearances in modern popular culture such as manga and anime.

 

 

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