Komorebi #39


Champagne and black hitoe bo eri kimono with tsuru, yama and kiku motifs. It is a kimono for children.



Dress Length: 83 cm | 32.7"

Sleeve Length: 25 cm | 9.8"

Shoulder to Shoulder: 35 cm | 13.8"



100% satin silk



A kimono without liner is called hitoe, which means "single cloth". It is exclusively worn from June to September, the Summer season in Japan. Bo eri is a collar that is sewn to the kimono body at all its length and is generally used in men’s and children’s kimono.

Tsuru (cranes) are known by various names in Japanese. They are considered mystical birds and are praised for their noble elegance. The notion that they have long lives goes back thousands of years. They live by clear water rather than gathering in forests like regular birds, leading them to be designated “lords of feathered creatures”, sacred birds on whose backs wizards would ride. In China, the crane characters express the concept of flying among the clouds and are used to represent outstanding personalities who have transcended the heights of ordinary people. In recent times in Japan, the unkaku-mon pattern, which combines clouds and cranes, has been reserved for the robes of the Imperial family. Cranes also frequently appear as auspicious symbols on wedding garments and bridal hairpins. As symbols of perpetuating a family line, a pair of cranes may be depicted building a nest on a pine branch, but in reality, apart from a few species, most cranes cannot roost in trees and do not nest in treetops. Origami-style cranes, a well-known worldwide symbol of peace, often appear on the kimono for children and young women.

Yama (mountains) symbolize sacred places between heaven and earth. Birds flying over mountains signify overcoming life’s challenges.

Hanakotoba is the Japanese form of the language of flowers. The Japanese have a long tradition of associating meanings to flowers, and they have influenced numerous aspects of their culture from kimono to war. Flowers such as the sakura (cherry blossom) and kiku (chrysanthemum) are national symbols of Japan. Such flowers have the power to invoke powerful emotions and they are engaged in the people's thinking. Beyond these national symbols, others have more subtle meanings. In Japan, they are a traditional gift for both men and women, and are often used to convey what can't be spoken. Even nowadays, flower meanings make occasional appearances in modern popular culture such as manga and anime.

Kiku (chrysanthemum) represents longevity and rejuvenation. When first introduced in Japan during the Nara Period (ad 710–784), the Japanese royal family was fascinated with the flower. Eventually, during the passing of the years, the chrysanthemum became the imperial family emblem. Even now, it is used as the imperial symbol of Japan and figures on the Japanese passport. No plant is used in such a multitude of patterns as the chrysanthemum. Patterns showing this flower are called kikukamon; designs depicting chrysanthemum attached to stems are known as oriedakiku and flowers standing upright are called tatekikumon. A design in which chrysanthemums are rendered along with flowing water is called kikusui; teamed with a fence, the design is called kikumagaki. There is also much variation in terms of the flowers themselves, from the type whose petals are long and dishevelled, known as rangiku, to the round, extremely abstract kind which appear in works by the artist Kourin Ogata and are called kouringiku. The leaves of the chrysanthemums are on ovoid shape with jagged edges and appear in patterns in the form of rippled lines. The Chrysanthemum Festival, or Choyo or Kikuno-Sekku, is celebrated on the ninth month in the lunar calendar. It is an old Chinese custom that made its way to Japan and was adopted mainly at court. On that day, activities included drinking saké with chrysanthemum petals floating in it and wearing cotton that has been placed on top of the flowers overnight to soak up their dew. Drinking chrysanthemum saké was believed to ward off malevolence and ensure a long life.