Komorebi #37

€190,00

Chocolate brown awase hiro eri kimono of the iro tomesode type, Having one crest, it is a hitotsu mon kimono showing kakitsubata and hagi textured details over textured sayagata pattern. The kimono has been adapted to midi coat.

 

FIT

Dress Length: 119 cm | 46.9"

Sleeve Length: 35 cm | 13.8"

Shoulder to Shoulder: 56 cm | 22"

 

MATERIAL 

Handmande in Japan

Exterior 100% satin silk

Lining 100% synthetic silk

 

HISTORY

Awase is a lined kimono, exclusively worn between October and May (from Autumn to Spring in Japan). In hiro eri, the collar is wide and its inside is not sewn to the body. When put on, the lapel can be folded in two to feature the widht desired and fall naturally toward the erisaki (the bottom of the collar). It is used in many women’s kimonos.

In Japanese culture, iro muji has both formal and informal use and is therefore considered the basic kimono, often being the first kimono worn by the Japanese in adulthood. It is a plain color piece that can take on any color except black and can have texture but never pattern. With mon (crests), it becomes more formal and converts into iro tomesode.

Mon means crest. The term Kamon refers to a crest used in Japan to indicate one's origins, that is, one's family lineage, blood line, ancestry and status. It is said that there are more than 20,000 distinct individual kamon in Japan. Garments with mon are divided into three types: itsutsu mon (five crests), mitsu mon (three crests) and hitotsu mon (one crest). If it has just one mon, it will be at the center back; if it has three mon, they will be at the center back and on the back of the sleeves; and if it has five mon, there will be one on the front and back of each sleeve and one at the center back.

Hanakotoba is the Japanese form of the language of flowers. The Japanese have a long tradition of associating meanings to flowers, and they have influenced numerous aspects of their culture from kimono to war. Flowers such as the sakura (cherry blossom) and kiku (chrysanthemum) are national symbols of Japan. Such flowers have the power to invoke powerful emotions and they are engaged in the people's thinking. Beyond these national symbols, others have more subtle meanings. In Japan, they are a traditional gift for both men and women, and are often used to convey what can't be spoken. Even nowadays, flower meanings make occasional appearances in modern popular culture such as manga and anime.

Kakitsubata (iris) are beautiful flowers that bloom in Japan around May. The Japanese iris is distinguished by a yellow line at the base of the petals. If the line is white, it is a rabbitear iris, while a mesh pattern indicates a flag iris. The elegant forms of irises have made them popular as kimono designs since olden times.Tthey are often dpicted with flowing water on summer kimono and are especially valuable as motifs for expressing the water's edge. They are also often shown with yatsuhashi, bridges that run in a zigzag course. Iris root has a pleasant fragrance and in the Heian era was used by noble families as gifts or to decorate roofs. The flower offers protection from evil spirits.

Hagi (bush clover) is one of the Aki No Nanakusa (The Seven Flowers of Autumn). It’s not known who originally grouped these plants together as a representation of autumn, but their presence in even the oldest of Japanese poetry speaks to their timelessness as an autumn motif. They are: hagi (bush clover), susuki (pampas grass), kuzu (arrowroot), nadeshiko (dianthus, pink or wild carnation), ominaeshi (valerian or maiden flower), fujibakama (mistflower) and kikyo (Chinese bellflower). Occasionally, asagao (morning glory) substitutes kikyo. Historically, hagi seeds were ground and mixed with rice while the leaves were used as a tea substitute, although both these practices have fallen out of favour now.

Sayagata is the pattern of interlocking manji, an ancient Buddhist symbol that has been used across many cultures for thousands of years. The symbol came to Japan in the 16th century and is known to represent life and strength.

Cha of chairo means Japanese green tea, and brownish colors were generated by decocted green tea. It became fashionable and various chairo colors were produced in Edo era.

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