Komorebi #126

€180,00

Tan hitoe bachi eri kimono of the komon hitotsu mon type with karakusa pattern and silver thread. The fabric is rinzu (jacquard).

 

FIT

Dress Length: 145 cm | 57.1"

Sleeve Length: 32 cm | 12.6"

Shoulder to Shoulder: 67 cm | 26.4"

 

MATERIAL

Handmande in Japan

100% damask silk

 

HISTORY 

A kimono without liner is called hitoe, which means "single cloth". It is exclusively worn from June to September, the Summer season in Japan. In bachi eri, the collar is folded and sewn down to the body, extending naturally towards the erisaki (the bottom of the collar). It is called bachi eri because its shape is like bachi, the stick used to play the samisen (a three-stringed traditional Japanese musical instrument derived from the Chinese instrument sanxian).

Komon is an informal kimono whose pattern repeats throughout the piece and often incorporates vertical stripes. Originally used as casual clothing, it is nowadays very rare since, with the westernization of clothing in Japan and the disuse of kimonos as a day-to-day wear, tailors have virtually ceased to produce it.

Mon means crest. The term kamon refers to a crest used in Japan to indicate one's origins, that is, one's family lineage, blood line, ancestry and status. It is said that there are more than 20,000 distinct individual kamon in Japan. Garments with mon are divided into three types: itsutsu mon (five crests), mitsu mon (three crests) and hitotsu mon (one crest). If it has just one mon, it will be at the center back; if it has three mon, they will be at the center back and on the back of the sleeves; and if it has five mon, there will be one on the front and back of each sleeve and one at the center back.

Karakusa (arabesque) is an ornamental pattern consisting of interwined flowing lines inspired by stalks and tendrils and by the links between the leaves and vines of plants. Originated in the western Asia region, it spread throughout the world. A grape and arabesque motif can often be seen in the art of Persia during the Sassanid dynasty (300-700). In China, the pattern appeared in the Han Dynasty (206-220), but its use for adorning clothing became widespread only with the arrival of buddhism in China after the third century. Karakusa became a central motif for clothing decoration during the Tang Dynasty (618-907). The pattern is thought to have entered Japan in the fifth century via the Silk Road from China. Combined with botanical motifs such as hollyhocks, chrysanthemums and peonies, there is no limit to the number of karakusa patterns that can be created. It is a symbol for eternity and sometimes a symbol for a family's legacy, like a family tree in the Western culture.

 

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